Overview
The pursuit of perfection is ongoing and will probably never end, but along the way Yamaha has introduced a number of innovations that have become industry standards offering performance and familiarity that discerning users continue to demand. By definition, “standards” are best kept as they are. With evolutionary refinements, of course.
Yamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.
Features
A creative console for expressive engineering
Every engineer, artist, and audience agrees that sound quality is the bottom line. That’s a given. Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of “coloring” options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sound.
Efficient, enjoyable operation
A truly useful sound reinforcement console is one that can keep pace with the rapidly and dramatically changing demands of live sound applications. Efficient, intuitive operation is essential. Yamaha’s acclaimed Centralogic concept is the core of a refined user interface that offers a new, unprecedented level of operating efficiency in the CL series, from visual feedback right down to the form and feel of the faders and controls. The CL consoles are also ready for seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. Control is familiar and intuitive, while at the same time offering extensive freedom.
Scalable, versatile network capabilities
Network capabilities are rapidly becoming fundamental and indispensable in today’s fast-paced world of digital live sound. CL series consoles feature separate console and I/O rack components that communicate via the Dante™ network audio protocol, allowing fast, efficient design and deployment of capable systems from the most basic to the dazzlingly complex. The ability to add Lake® processing via expansion slots also adds to the system’s versatility and adaptability to the widest range of mixing needs.
Specifications
Technical Specification of CL/QL
CL5 | CL3 | CL1 | QL5 | QL1 | ||
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Mixing Capacity | Input Mixing Channels | 72 mono + 8 stereo | 64 mono + 8 stereo | 48 mono + 8 stereo | 64 mono + 8 stereo | 32 mono+ 8 stereo |
Mix Buses | 24 | 16 | ||||
Matrices | 8 (Input to Matrix supported) | 8 (Input to Matrix supported) | ||||
Stereo Bus | 1 | 1 | ||||
Mono | 1 | 1 | ||||
Cue | 1 (Second Cue Bus supported in CL V4.0 or later) | 1 (Second Cue Bus supported in QL V4.0 or later) | ||||
Local Connectors | Analog Inputs | 8 | 32 | 16 | ||
Analog Outputs | 8 | 16 | 8 | |||
MY Slots | 3 | 2 | ||||
Dante I/O | Primary / Secondary | Primary / Secondary | ||||
Digital Out | 1 (AES/EBU) | 1 (AES/EBU) | ||||
GPI | 5 in / 5 out (CL V1.11 or later) | 5 in / 5 out | ||||
Word Clock I/O | Yes | Yes | ||||
MIDI I/O | In / Out | In / Out | ||||
External Redundant PSU | Optional PW800W | No | ||||
Meter Bridge | Output meter built-in | Optional MBCL | No | |||
Ethernet | Yes | Yes | ||||
AC Inlet | V-Lock Type | V-Lock Type | ||||
Scene Memory | Number of Scenes | 300 | 300 | |||
Recall Safe | Yes | Yes | ||||
Focus Recall | Yes | Yes | ||||
Fade Time | Yes (0s ~ 60s) | Yes (0s ~ 60s) | ||||
Preview | Yes (CL V1.51 or later) | Yes | ||||
Selective Load / Save | Yes (CL V1.7 or later) | Yes | ||||
Tactile Control Keys | Yes | No (on-screen) | ||||
Input Channel Functions | Gain Compensation | Yes | Yes | |||
Digital Gain | Yes (-96dB ~ +24dB) | Yes (-96dB ~ +24dB) | ||||
ATT | -96dB ~ 0dB | -96dB ~ 0dB | ||||
HPF | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later) | 20Hz ~ 600Hz, -6 or -12dB/oct Selectable | ||||
PEQ | 4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later) |
4 Band Full PEQ (RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later) |
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Dynamics 1 | Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later) | Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in QL V4.0 or later) | ||||
Dynamics 2 | Compressor / Compander-H / Compander-S / De-esser | Compressor / Compander-H / Compander-S / De-esser | ||||
Input Delay | Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later) | Yes (0ms ~ 1000ms, frame delay support in QL V3.0 or later) | ||||
Pan | CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later |
CENTER NOMINAL or LR NOMINAL for monaural input channels in QL V3.1 or later L-MONO, R-MONO or LR-MONO for stereo input channels in QL V3.1 or later |
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DCA Group | 16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later) | 16 (Output DCA support in QL V3.0 or later) | ||||
MUTE Group | 8 | 8 | ||||
Number of Inserts | 2 (CL V2.0 or later) | 2 | ||||
Direct Out | Yes | Yes | ||||
Output Channel Functions | PEQ | 4 Band Full PEQ (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later) |
4 Band Full PEQ (RTA overlay support in QL V3.0 or later, New EQ Algorithms support in QL V4.0 or later) |
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Dynamics 1 | Compressor / Expander / Compander-H / Compander-S | Compressor / Expander / Compander-H / Compander-S | ||||
MUTE Group | 8 | 8 | ||||
Number of Inserts | 2 (CL V2.0 or later) | 2 | ||||
Premium Rack | Number of Premium Racks | 8 | 8 | |||
Mountable Device | RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later) | RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (QL V3.0 or later) / MBC4 (QL V4.0 or later) | ||||
Effect Rack | Number of Effect Racks | 8 | 8 | |||
Number of Effect Programs | 54 | 54 | ||||
Mountable Device | Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later) | Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (QL V3.0 or later) | ||||
GEQ Rack | Number of GEQ Racks | 16 | 8 | |||
Mountable Device | 31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later) (RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later) |
31BandGEQ / Flex15GEQ / Dugan Automixer / 8Band PEQ (CL V3.0 or later) (RTA overlay support in QL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in QL V4.0 or later) |
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Dante | Number of I/O Channels | 64 in / 64 out | 64 in / 64 out | 32 in / 32 out | ||
Dante Patch from Console | Yes | Yes | ||||
Recording | USB Memory Recording | Yes | Yes | |||
DVS Recording | Yes (DVS and Nuendo Live bundled) | Yes (DVS and Nuendo Live bundled) | ||||
Broadcast Functions | 5.1 Surround Panning | Yes (CL V3.0 or later) | Yes (QL V3.0 or later) | |||
Surround Monitor | Yes (CL V3.0 or later) | Yes (QL V3.0 or later) | ||||
Mix Minus | Yes (CL V2.0 or later) | Yes (QL V3.0 or later) | ||||
L-Mono / R-Mono / LR-Mono | Yes (CL V3.0 or later) | Yes (QL V3.0 or later) | ||||
Monitor | Solo Mode | Yes (CL V4.0 or later) | Yes (QL V4.0 or later) | |||
Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus) |
Yes (CL V4.0 or later) | Yes (QL V4.0 or later) | ||||
Oscillator | Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise | Sine Wave 1ch / Sine Wave 2ch (QL V3.0 or later) / Pink Noise / Burst Noise | ||||
Other Functions | Port to Port | No | Yes | |||
RTA | Yes (CL V3.0 or later) | Yes (QL V3.0 or later) | ||||
Output Port Delay | Yes (0ms ~ 1000ms, frame delay support in CL V3.0) | Yes (0ms ~ 1000ms, frame delay support in QL V3.0) | ||||
Cascade | Yes (via MY slots) | Yes | ||||
User Level | Yes | Yes | ||||
Help File | Yes (CL V1.51 or later) | Yes | ||||
Channel Link | Yes (Output Channel Link support in CL V3.0 or later) | Yes (Output Channel Link support in QL V3.0 or later) | ||||
Channel Copy/Move | Yes | Yes | ||||
Control & Monitoring for Digital Wireless Receivers |
Shure ULXD4D/ULXD4Q (CL V4.0 or later) | Shure ULXD4D/ULXD4Q (QL V4.0 or later) | ||||
User Interface | Display | 10 inch Touch Panel | 10 inch Touch Panel | |||
Centralogic Section | Yes | No | ||||
Faders | 16 + 8 + 8 + 2 | 16 + 8 + 2 | 8 + 8+ 2 | 32 + 2 | 16 + 2 | |
Selected Channel Encoders | Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends | Gain, HPF, PEQ (controls for a selected band), Dynamics 1/2(Threshold only), Pan | ||||
Channel Encoder | Yes (for Gain, Send Level, or an assigned parameter) | No | ||||
Channel Name / Color Display | Yes | Yes | ||||
Custom Fader Banks | Yes (customized for each fader section) | Yes (customized for all faders in a lump, MASTER fader of FADER BANK A in QL V4.0 or later) |
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User Defined Keys | 16 (x 4 banks in CL V3.0 or later) | 12 (x 4 banks in QL V3.0 or later) | ||||
User Defined Knobs | 4 | 4 (on-screen) | ||||
Touch and Turn Knob | Yes (using a User Defined Knob) | Yes | ||||
Monitor Level Knob | Yes | Yes (on-screen) | ||||
Wooden Arm Rest | Yes | No | ||||
iPad Stay | Yes | No | Yes | No | ||
Rack-mounting | No | No | Yes | |||
Software | Editor | CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later) | QL Editor (Win/Mac, CSV files import/export in QL Editor V4.0.0 or later) | |||
StageMix | CL StageMix (iPad app) | QL StageMix (iPad app) | ||||
MonitorMix | Yes (CL V4.00 or later) | Yes (QL V4.00 or later) | ||||
Console File Converter | Yes (Win/Mac) | Yes (Win/Mac) |
CL5, CL3, CL1
General specifications | CL5 | CL3 | CL1 | |
---|---|---|---|---|
Sampling frequency rate | Internal | 44.1kHz / 48kHz | ||
External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | |||
Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | |||
Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | |||
Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | |||
Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | |||
Hum & Noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max., -88dBu, Residual output noise, ST master off | |||
Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | |||
Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | |||
Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | |||
Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | |||
Dimensions | W | 1053mm (41 1/2in) | 839mm (33 1/8in) | 648mm (25 5/8in) |
H | 299mm (11 3/4in) | 299mm (11 3/4in) | 299mm (11 3/4in) | |
D | 667mm (26 1/4in) | 667mm (26 1/4in) | 667mm (26 1/4in) | |
Net weight | 36kg (79.4lb) | 29kg (63.9lb) | 24kg (52.9lb) | |
Others | Temperature Range: Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |