Blackmagic Design URSA CINE 12K LF & Irix 21mm, 45mm and Nanuk Case Kit

An exclusive bundle between Blackmagic Design’s URSA Cine 12K Digital Film Camera and IRIX’s 21mm and 45mm Cine lenses.

Blackmagic Design URSA Cine 12K

The Blackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.

URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!

URSA Cine is designed to meet the demands of any high end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!

The large format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!

Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!

URSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!

The wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!

Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!

The high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.

URSA Cine features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!

Irix Cine Lens 21mm T1.5 PL Imperial Scale (Feet)

• Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
• Ultra HD 8K Ready Optics with Superb Image Resolution
• Full Frame 43.3mm coverage
• Fully Weather-Sealed, Ready for any Weather Conditions
• Engraved Markings with UV-Reactive Paint for Low-Light Situations
• 11 Rounded Aperture Blades for Extraordinary Image Quality
• Focus Breathing close to Zero
• Low Distortion
• Standard 0.8 Pitch Mod Gears
• Internal Focusing

The Irix Cine 21mm T1.5 with Arri PL mount is a Full Frame Cine Lens, excellent for when you need a wide and fast lens. 

Lights, camera, Irix lenses! Capture the essence of cinema with the "Irix look". You don't want your shots to be just another scene - you want them to stand out. That's why Irix lenses are designed to provide substance with a special "Irix look" that will give your movie the captivating quality it deserves. Picture this: round-shaped blades and a shallow depth of field to cut your subject out from the background. The unique bokeh draws the contours of your subject to make them pop. Plus, the soft highlights and subtle mist will smooth out those pesky light streaks that show up on other lenses. With stunning footage in every frame, your audience won't be able to look away. Get ready to take your filmmaking to the next level with Irix lenses.

Ready to unleash your creativity? Look no further than the 21mm T1.5 lens – the perfect balance of wide angle and distortion-free shots. Say goodbye to awkwardly proportioned subjects; with this lens, what you see is what you get. Ideal for capturing tight spaces and people, it's a must-have addition to your kit. 

Plus, all of our Irix cine lenses meet the same high standards of quality and consistency. You can expect comparable weights, 86mm front threads on most lenses, and consistent focus/iris gear placement. And don't forget about our Magnetic Mount System – the easiest way to attach Irix Edge MMS filters to the 15mm, 30mm, 45mm, and 150mm lenses. Trust us, once you experience the freedom and ease of Irix, you'll never go back.

Whether you're capturing a lively wedding or an intense action scene, the key to a stunning image is in getting up close and personal. Just look at the movie "Revenant" - DOP Emmanuel Lubezki used lenses with focal lengths as small as 21mm to create dynamic shots that immerse the viewer in the action.

But we've taken it to the next level. Our lens has a fast T1.5 aperture, providing crystal-clear shots in any lighting without having to sacrifice ISO. Plus, the bokeh effect will give your shots an eye-catching edge. And don't worry about the weather - our lenses are sealed and ready to take on anything Mother Nature throws your way. Get ready to level up your photography game.

The 21mm is the widest lens in this set! With a wide-open T1.5 aperture, this lens is ready to deliver consistently sharp shots alongside its awesome 30mm and 45mm companions.

And here's the best part: with such a wide lens, the bokeh effect achieved is simply breathtaking. Plus, effortlessly match color, contrast, and brightness on the go - making your shooting experience a complete breeze!

Say hello to Irix lenses - your all-weather filmmaking companion! With tough resistance against Mother Nature's wrath - be it blazing heat or frigid snow - these lenses will deliver crystal-clear shots, no matter what. With rain, sand, snow, and dust resistance, you can rest assured that your lens can handle it all. Plus, special UV-reactive markings make filming in tricky lighting a breeze. Whether you're braving the jungle or the desert, Irix lenses have got your back. So go ahead, make the film of your dreams, no matter the weather!

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.

Irix Cine Lens 45mm T1.5 PL Imperial Scale (Feet)

• Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
• Ultra HD 8K Ready Optics with Superb Image Resolution
• Full Frame 43.3mm coverage
• Fully Weather-Sealed, Ready for any Weather Conditions
• Engraved Markings with UV-Reactive Paint for Low-Light Situations
• 9 Rounded Aperture Blades for Extraordinary Image Quality
• Focus Breathing close to Zero
• 86mm Filter Thread and 95m Front Diameter
• Low Distortion
• Internal Focusing

The Irix Cine 45mm T1.5 for Arri PL is equipped with everything both beginners and professional cinematographers need to create their masterpieces. The lens combines functionality, stunning visuals and outstanding performances.

The Irix Cine 45mm T1.5 is a 43,3mm Full Frame lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and other sensors. 

It’s so versatile it’ll fit YOUR favorite equipment – allowing you to enjoy every second of shooting with the tools you already love.
Put our Irix Cine 45mm T1.5 to work and enjoy the comfort and functionality it offers.

Rain or shine. The rugged and durable construction of the Irix Cine 45mm guarantees that you can keep working with whatever the weather throws at you.

The lens is resistant to rain, sand, and dust thanks to the internal seals on strategic places. Take it with you on your next adventure in the desert or the jungle, if your camera can handle those environments.

Engraved markings on the lens have been filled with UV Light-reactive paint, which makes filming in difficult lighting conditions much easier. All you'll need is a small UV Blacklight instead of a bright flashlight.

Our own Magnetic Mount System (MMS) for rapid filter and hood placements are just one example of the multifunctional design of our lenses. 

We also invented the adaptive ring on our lenses to be able to maintain their sleek design and still allow you to use wider follow focus systems

All Irix Cine lenses (except the 11mm and 21mm) have a Magnetic Mount System (MMS) that is compatible with our Irix Edge MMS filters and Irix MMS Lens Hoods. The Irix Edge magnetic filters have a unique thread-less and stackable design.

All of the Irix Edge MMS filters are made of hardened optical glass (SR) making them extremely robust. The filters' surfaces are covered with the multi-layer, anti-reflective coating with a special type nano-coating that makes it easy to clean.

Available types of Irix Edge MMS filters: UV, CPL, ND4, ND8, ND16, ND32 and ND64.

We know how important a smooth workflow is. That is why all Irix cine lenses have similar dimensions and weight and their gears are all lined up at the same heights, allowing for quick and easy lens changes when working on set.

Craft a one-of-a-kind cinematic look that won’t be easily forgotten! Tahnks to the 11 optical elements in 9 groups (including 4 HR lenses, 1 ED lenses, and 1 ASP), your shots will come out with very little aberration.

The internal focusing system of the lens guarantees incredible sharpness. The 9 – blade iris provides a beautiful bokeh and a very smooth adjustment between T1.5 and T22.

With very low focus breathing and a field of view close to the human eye's field of view, the Irix 45mm Cine is a perfect lens for filming natural-looking scenes.

The Irix cine 45mm T1.5 meets requirements of all filmmakers. Whether you like to build professional setups or shoot with a bare lens on stabilizer, this lens is for you. The aluminium and magnesium alloy construction and housing weight only 1,1kg.

The front external diameter is 95mm for matte boxes and accessories, the front filter thread is 86mm.

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.