Blackmagic PYXIS-PL-IRIX-LENS-KIT

Blackmagic PYXIS-PL-IRIX-LENS-KIT

Blackmagic PYXIS-PL-IRIX-LENS-KIT

Blackmagic PYXIS-PL-IRIX-LENS-KIT

Blackmagic PYXIS 6K PL & Irix 21mm+45mm+Nanuk Case

SKU: BMD-PYXIS-PL-IRIX-LENS-KIT
MSRP: $6,035.00
MAP: $6,035.00

Blackmagic Design PYXIS 6K PL & Irix 21mm, 45mm, Nanuk Case Kit

An exclusive bundle between Blackmagic Design’s PYXIS 6K Digital Film Camera and IRIX’s 21mm and 45mm Cine lenses.

 

 

Blackmagic Design PYXIS 6K (PL Mount)

Introducing the next generation customizable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

 

The PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter.

 

With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!

 

Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!

 

Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.

 

The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!

 

The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!

 

In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.

 

Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!

 

 

Irix Cine Lens 21mm T1.5 PL Imperial Scale (Feet)

  • Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
  • Ultra HD 8K Ready Optics with Superb Image Resolution
  • Full Frame 43.3mm coverage
  • Fully Weather-Sealed, Ready for any Weather Conditions
  • Engraved Markings with UV-Reactive Paint for Low-Light Situations
  • 11 Rounded Aperture Blades for Extraordinary Image Quality
  • Focus Breathing close to Zero
  • Low Distortion
  • Standard 0.8 Pitch Mod Gears
  • Internal Focusing

 

The Irix Cine 21mm T1.5 with Arri PL mount is a Full Frame Cine Lens, excellent for when you need a wide and fast lens. 

 

Lights, camera, Irix lenses! Capture the essence of cinema with the "Irix look". You don't want your shots to be just another scene - you want them to stand out. That's why Irix lenses are designed to provide substance with a special "Irix look" that will give your movie the captivating quality it deserves. Picture this: round-shaped blades and a shallow depth of field to cut your subject out from the background. The unique bokeh draws the contours of your subject to make them pop. Plus, the soft highlights and subtle mist will smooth out those pesky light streaks that show up on other lenses. With stunning footage in every frame, your audience won't be able to look away. Get ready to take your filmmaking to the next level with Irix lenses.

Ready to unleash your creativity? Look no further than the 21mm T1.5 lens – the perfect balance of wide angle and distortion-free shots. Say goodbye to awkwardly proportioned subjects; with this lens, what you see is what you get. Ideal for capturing tight spaces and people, it's a must-have addition to your kit. 

Plus, all of our Irix cine lenses meet the same high standards of quality and consistency. You can expect comparable weights, 86mm front threads on most lenses, and consistent focus/iris gear placement. And don't forget about our Magnetic Mount System – the easiest way to attach Irix Edge MMS filters to the 15mm, 30mm, 45mm, and 150mm lenses. Trust us, once you experience the freedom and ease of Irix, you'll never go back.

 

Whether you're capturing a lively wedding or an intense action scene, the key to a stunning image is in getting up close and personal. Just look at the movie "Revenant" - DOP Emmanuel Lubezki used lenses with focal lengths as small as 21mm to create dynamic shots that immerse the viewer in the action.

But we've taken it to the next level. Our lens has a fast T1.5 aperture, providing crystal-clear shots in any lighting without having to sacrifice ISO. Plus, the bokeh effect will give your shots an eye-catching edge. And don't worry about the weather - our lenses are sealed and ready to take on anything Mother Nature throws your way. Get ready to level up your photography game.

 

The 21mm is the widest lens in this set! With a wide-open T1.5 aperture, this lens is ready to deliver consistently sharp shots alongside its awesome 30mm and 45mm companions.

And here's the best part: with such a wide lens, the bokeh effect achieved is simply breathtaking. Plus, effortlessly match color, contrast, and brightness on the go - making your shooting experience a complete breeze!

 

Say hello to Irix lenses - your all-weather filmmaking companion! With tough resistance against Mother Nature's wrath - be it blazing heat or frigid snow - these lenses will deliver crystal-clear shots, no matter what. With rain, sand, snow, and dust resistance, you can rest assured that your lens can handle it all. Plus, special UV-reactive markings make filming in tricky lighting a breeze. Whether you're braving the jungle or the desert, Irix lenses have got your back. So go ahead, make the film of your dreams, no matter the weather!

 

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.

 

 

Irix Cine Lens 45mm T1.5 PL Imperial Scale (Feet)

  • Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras
  • Ultra HD 8K Ready Optics with Superb Image Resolution
  • Full Frame 43.3mm coverage
  • Fully Weather-Sealed, Ready for any Weather Conditions
  • Engraved Markings with UV-Reactive Paint for Low-Light Situations
  • 9 Rounded Aperture Blades for Extraordinary Image Quality
  • Focus Breathing close to Zero
  • 86mm Filter Thread and 95m Front Diameter
  • Low Distortion
  • Internal Focusing

 

The Irix Cine 45mm T1.5 for Arri PL is equipped with everything both beginners and professional cinematographers need to create their masterpieces. The lens combines functionality, stunning visuals and outstanding performances.

 

The Irix Cine 45mm T1.5 is a 43,3mm Full Frame lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and other sensors. 

It’s so versatile it’ll fit YOUR favorite equipment – allowing you to enjoy every second of shooting with the tools you already love.
Put our Irix Cine 45mm T1.5 to work and enjoy the comfort and functionality it offers.

 

Rain or shine. The rugged and durable construction of the Irix Cine 45mm guarantees that you can keep working with whatever the weather throws at you.

The lens is resistant to rain, sand, and dust thanks to the internal seals on strategic places. Take it with you on your next adventure in the desert or the jungle, if your camera can handle those environments.

Engraved markings on the lens have been filled with UV Light-reactive paint, which makes filming in difficult lighting conditions much easier. All you'll need is a small UV Blacklight instead of a bright flashlight.

 

Our own Magnetic Mount System (MMS) for rapid filter and hood placements are just one example of the multifunctional design of our lenses. 

We also invented the adaptive ring on our lenses to be able to maintain their sleek design and still allow you to use wider follow focus systems

 

All Irix Cine lenses (except the 11mm and 21mm) have a Magnetic Mount System (MMS) that is compatible with our Irix Edge MMS filters and Irix MMS Lens Hoods. The Irix Edge magnetic filters have a unique thread-less and stackable design.

All of the Irix Edge MMS filters are made of hardened optical glass (SR) making them extremely robust. The filters' surfaces are covered with the multi-layer, anti-reflective coating with a special type nano-coating that makes it easy to clean.

Available types of Irix Edge MMS filters: UV, CPL, ND4, ND8, ND16, ND32 and ND64.

 

We know how important a smooth workflow is. That is why all Irix cine lenses have similar dimensions and weight and their gears are all lined up at the same heights, allowing for quick and easy lens changes when working on set.

 

Craft a one-of-a-kind cinematic look that won’t be easily forgotten! Tahnks to the 11 optical elements in 9 groups (including 4 HR lenses, 1 ED lenses, and 1 ASP), your shots will come out with very little aberration.

The internal focusing system of the lens guarantees incredible sharpness. The 9 – blade iris provides a beautiful bokeh and a very smooth adjustment between T1.5 and T22.

With very low focus breathing and a field of view close to the human eye's field of view, the Irix 45mm Cine is a perfect lens for filming natural-looking scenes.

 

The Irix cine 45mm T1.5 meets requirements of all filmmakers. Whether you like to build professional setups or shoot with a bare lens on stabilizer, this lens is for you. The aluminium and magnesium alloy construction and housing weight only 1,1kg.

The front external diameter is 95mm for matte boxes and accessories, the front filter thread is 86mm.

 

Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered.